Marc jacobs slow burn12/29/2023 ![]() The special effects team made rubber molds of Christine and then imploded it, running the shot in reverse in the film to evoke the effect of a self-healing vehicle. The car can heal itself, an effect that is shown on camera in full, glorious display. ![]() The practical effects in Christine deserve special recognition here. It’s a great time for everybody, except Arnie’s human loved ones. He also starts to dress and act more like a greaser dirtbag from the 1950s. He quickly becomes obsessed with the car, named “Christine,” and human and vehicle both become jealous of anybody who might interrupt their time together. When the two come across a broken-down old Plymouth Fury (a vehicle that we’ve already seen commit murder and mayhem in an opening sequence set in a 1950s car assembly plant), Arnie decides he must have it. BarbarianĪ high school horror movie about a nerd who falls in love with a haunted car, Christine is an extraordinary Stephen King adaptation and a standout in John Carpenter’s consistently excellent filmography.Īrnie (Keith Gordon) is an unpopular high schooler in California who has just one friend, a popular football player named Dennis (John Stockwell, who in many ways is the emotional core of the movie, as someone who cares deeply about Arnie). It is also available for digital rental or purchase on Apple TV and Vudu. Only pain can be trusted.Īudition is available to stream on Arrow Video and Hi-Yah!, for free with ads on Tubi, and for free on Kanopy with a library card. In the end, though, these are just words. The film descends into a macabre fugue state of assumptions, misdirections, and cinematic sleights of hand, with dreams that feel almost real set against a reality too terrifying to be anything but. Miike’s film holds its cards relatively close to its chest for most of its run time, unspooling its tightly wound mystery like garrote wire before peeling back its skin of meet-cute artifice to reveal a pulsing mass of horrors roiling beneath. Best known for its brutally violent finale, Takashi Miike’s 1999 horror film as a whole is a taut and gripping drama that unravels its characters’ psychological hang-ups and neuroses before plunging headfirst into a heart of darkness and unsettling imagery.Īs we wrote in the inaugural entry of this year’s Halloween Countdown,
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